Adobe Photoshop CS for Photographers. A professional image by Martin Evening (Auth.)

By Martin Evening (Auth.)

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Extra info for Adobe Photoshop CS for Photographers. A professional image editor's guide to the creative use of Photoshop for the Macintosh and PC

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The foregroundlbackground color control can be useful as this will let you vary the paint color between the foreground and background color, according to how much pressure is applied. The Dual brush and Texture dynamics introduce texture and more interactive complexity to the bru sh texture. It is worth experimenting with the Scale control in the Dual Brush options . The Texture dynamics utilize a choice of blending modes for different effects and of course you can add a custom texture of your own design, direct from the Pattern presets .

As you brush along an edge , an outline follows the edge of greatest contrast within the brush width area and sticks to it like a magnet. To reverse a magnetic outline, drag back over the outline so far drawn. Where you meet a fastening point, you can e ither proceed from that position or hit the delete key to reverse your tracks even further to the fastening point before that and so on... You can manually add fastening points by clicking with the mouse . When defining an outline, a combination of mousing key changes the tool back to the down with the regular lasso to manuall y draw round an edge.

Do ...... "'".. 39 The accompanying tabe shows how the scratchdisk memory will fluctuate during atypical Photoshop session. 7 MB insize and 250 MB of memory was allocated to Photoshop. Notice how minor local changes to the imagedo not increase the amount of memory used compared with the global changes. The history states are recorded inthe History palette. The activehistory state is indicated by the pointer icon. Inthis case the last one in the list 52 and highlights in the levels dialog. Furthermore there are things which can be undone with Edit 0 Undo that have nothing to do with the history.

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