Discours, figure by Jean-Francois Lyotard

By Jean-Francois Lyotard

Jean-François Lyotard is famous as the most major French philosophers of the 20th century. even supposing the vast majority of his significant writing has been translated into English, one very important paintings has formerly been unavailable. Discourse, Figure is Lyotard’s thesis. Provoked partly via Lacan’s influential seminars in Paris, Discourse, Figure distinguishes among the meaningfulness of linguistic indicators and the meaningfulness of plastic arts comparable to portray and sculpture. Lyotard argues that simply because rational idea is discursive and artistic endeavors are inherently opaque symptoms, yes facets of inventive which means corresponding to symbols and the pictorial richness of portray will consistently be past reason’s grasp.
 
A wide-ranging and hugely strange paintings, Discourse, Figure proceeds from an attentive attention of the phenomenology of expertise to an bold meditation at the psychoanalytic account of the topic of expertise, dependent via the disagreement among phenomenology and psychoanalysis as contending frames during which to imagine the materialism of realization. as well as prefiguring lots of Lyotard’s later matters, Discourse, Figure captures Lyotard’s passionate engagement with subject matters past phenomenology and psychoanalysis to structuralism, semiotics, poetry, artwork, and the philosophy of language.

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N1ais dans leur arrangen1e11t. On va dire que le sense a11ssi, la signification, tient entiere1nent a l'arrange1nent des unitCs. :Niais notre arrange1nent, la dispersion poCtique sur la page est un dCrangen1ent de l'arrangen1ent qui fait la signification, il derange la co1nn1unication. 'artifice de leur retren1pe alternee en le sens et la sonorite 32 ». 3 », et voit dans le blanc typographique, la presence sensible d'une contingence initiale que le retour rCgnlier de l'alinCa va incorporer co1nn1e « silence » clans les inots.

21. Lettre it Villiers, scpternhre 1866, La table ronde (aofit 1952), p. 11. 22. Lettre du 23 aol1t 1866, op. , p. 71. 64 65 HEGESSUS ET SUHRii:FLEXION SILENCES QUI PRENNENT CORPS Il ne s'agit pas d'une porticularitC d'autenr alors que pr0cise1nent l'auteur est en cours d'efface1nent. 'usage de la negativitC a son rCpondant du cOtC du texte lui-1ne1ne. 'Ccriture se distingue de la parole en ce qu'elle offre par ses signes une trace visible de 'l'idCe. Or cette trace pour lVIallar1nC ne peut pas etre arhitraire: «arriver de la phrase a la lettre par le n1ot; en nous servant du Signe ou de l'Ccriture, qui relic le n1ot ~\ son sens 23 .

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